A SHORT HISTORY OF THE TOMPKINS SQUARE
NEIGHBORHOOD
REVOLT
Observation By A. Kronstadt
The Tompkins Square Park
Neighborhood Revolt, and I am calling it that only because I have to
call it something, occurred in the late 1980s and early 1990s. I will
not put an exact date upon the beginning of the Revolt because, in a
sense, the rebellion began when the first bohemian artist set foot in
downtown Manhattan, many decades ago, and because in another sense, the
Revolt still goes on as long there are people like myself and others
who dwell in the neighborhood, writing articles for publications like
The Shadow, analyzing the urban malaise which reigns in New York City.
But names and dates aside, it did happen. It was a rebellion, leading
in some cases to exchanges of blows between citizens of New York City
and the police, a rebellion akin to Shay's Revolt and the Whiskey
Rebellion of early U.S. history and, more directly to the political
antics of the Yippies and SDS in the sixties and seventies, with which
many of us identified. The Revolt was local and relied on spontaneity,
word of mouth, and gatherings of people in the public square, namely
Tompkins Square Park, and these are the things that were both the
beauty and the downfall of the Revolt.
This eminently American revolt was about nothing more than American
democracy, even though all of us had a huge contempt for patriotism as
it had been force fed to us in America's schools and spoon fed by the
media. You see, two very undemocratic things were happening in American
society-among the myriad of other undemocratic things that were also
happening-which affected the counterculture community in the Lower East
Side of Manhattan very deeply, more so than it did other categories of
people. One was the conscious decision of government officials at all
levels to pursue policies of gentrification, intended to make cities
run more like businesses in the age of Reaganite pro-business policies.
The key feature of gentrification was a dramatic increase in the amount
of money that people would have to pay for living space and working
space, which had remained relatively reasonable in the Lower East Side
ever since the Great Depression and the liberal administration of
Fiorello H. LaGuardia, who had maintained fairly strict pro-tenant
policies of rent regulation (even as he sold out certain other parts of
the city for complete demolition). Gentrification had a human face,
albeit a not too pretty one, in that of Mayor Edward I. Koch. Earlier
in his career Koch had been regarded as an extreme liberal, but in line
with the new order put in place by the Reagan Revolution, he eagerly
took up the task of making New York's down-at-the-heels neighborhoods
pay for themselves by means of a fearsome raise-the-rent policy.
Apartments that rented for 150 dollars a month in 1977 (when Koch was
elected mayor) were renting for seven
hundred a month by 1983, two years into the Reagan administration. The
"liberal" city and state authorities authorized a bevy of loopholes in
rent laws: co-op conversions, major capital improvements, and vacancy
increases, which enabled landlords to charge astronomical rents that
the people who already lived in the neighborhood could simply not
afford.
Gentrification went hand in hand with other policies of the City and
State authorities such as catering to the industries of Finance,
Insurance, and Real Estate (F.I.R.E.--to remind us of the great wave of
landlord arson that the Lower East Side suffered during the Koch
administration) at the expense of other branches of the economy.
Manufacturing and transport, unable to make the kind of efficient use
of real estate that the new order demanded, were left to wither, unable
to pay for needed space. Yuppies poured in and filled the apartments
that the neighborhood folk, be they Puerto Rican, Slavic, Jewish,
beatnik, hippie, punk, or conceptual artist, had been priced out of. In
the bohemian/ethnic vs. yuppie/mainstream dichotomy, one can see the
central conflict of our story. The word "yuppie" would play a prominent
part in the discourse of the Tompkins Square Neighborhood Revolt
because we perceived the young upper middle class and rich boys and
girls moving into the neighborhood in an adversarial manner. Many of us
had been through co-op conversions in which groups of yuppies bought
into a building and put the apartments up for sale at prices that we
could never hope to come up with, and in which the threat of eviction
and displacement from the neighborhood was ever present. Developers
would hire private detectives to spy on tenants and rent apartments to
drug-addicted thugs to drive out the old residents of buildings.
Gentrification was also accompanied by a great deal of landlord arson,
which not only allowed building owners to collect large insurance
payments but enabled them to sell the fire-damaged buildings vacant to
developers for gut renovation and rental at astronomical rates.
The Tompkins Square Revolt was also a revolt against the first inklings
of the police regime that was to come to maturity under Rudolph
Giuliani a few years later, but which was first tried out under Koch.
Ed Koch was among the first U.S. politicians to start using the term
Quality of Life to describe a focus upon the prosecution and punishment
of petty violations such as public drinking and pot
smoking. Certain ideologues had been pushing the Quality of Life slogan
as a means of selling to urban liberals some of the objectives of the
Reaganite culture wars-including a crackdown on drugs, pornography,
prostitution, and slackerly behavior such as hanging out on the street.
While conservatives had long wanted the cops to start busting the
perverts, druggies, and bums, the liberals, being slicker people,
needed a slicker justification. According to the Quality of Lifers,
punishing those who violate certain rules of middle-class
appropriateness helps improve the Quality of Life of the community by
letting the decent people reclaim public spaces, and makes it a better
place for mothers and children. Quality of Life-ism is a form of
fascism with a human face. There are indeed "feminist" Quality of Life
ideologues who claim that any venues that attract primarily men, in
particular prostitution and porno zones and areas with lots of bars,
are bad for society and need to be shut down, or as in the case of old
Times Square, torn down and replaced with a gentrified "family venue."
Koch's Quality of Life crusade was inseparably bound up with his desire
to gentrify Manhattan, and was little applied to other boroughs. His
stated desire was to bring more well-to-do people into the city and
thereby raise the price paid for real estate, and he could not do this
in a place where the poor, vulgar slobs ruled the streets and made
noise.
One of the first inklings of Koch's new Quality of Life regime was the
crackdown on pot smoking, initiated in 1982 in Washington Square Park,
an old gathering spot for Lower Manhattan nonconformists located in
Greenwich Village. A midnight curfew was imposed upon Washington Square
Park in 1987 with the support of Koch and local Democratic politicians.
Tompkins Square Park on the other hand remained relatively free of this
regime through the end of the eighties, and remained a haven for
bohemian freaks, ranging from artists to drug addicts, and especially
for homeless Lower East Side people who were priced out of housing
during the big real estate shakeouts of the early eighties. Falling
somewhat into both categories were the squatters, who had taken over
endless rows of abandoned buildings just east of the park, for whom the
park was a collective backyard. The freaks, squatters, and homeless
mingled with neighborhood people around the Tompkins Square Park
bandshell at political events in defense of the Sandinistas of
Nicaragua and at punk concerts put on by squatter impresarios.
This is really where our part of the story begins. In 1988, people who
might best be described as Quality of Lifers organized some of the
people living in the blocks around Tompkins Square Park into an
association to demand that a curfew be placed on Tompkins Square Park,
thereby putting an end to the noise that emanated from the park at
night. Officials of the Koch administration backed them and, in July of
that year, the police began driving around the park at midnight
shouting over their PA system that the park was closed, and that
everyone had to leave. Apparently, the City bureaucrats were not aware
that it was only a small, vocal group of people who actually wanted the
park closed at night, and that a much larger group of people were
outraged about the curfew, immediately identifying it with the hated
gentrification policies of the Koch administration. The squatters, some
of whom were highly politicized, took the initiative of putting out
flyers encouraging people to violate the curfew, and then organized
concerts at the bandshell that brought the atomized counterculture
together around this issue where gentrification and the police state
converged.
I was not present at the Tompkins Square police riot of 1988, having
returned from Europe the day after it happened, and will leave the
details to Clayton Patterson and others who risked serious injury to
document that event. In a nutshell, on July 31, 1988, an anti-curfew
rally and concert took place in the park where there was a minor
skirmish with cops. Over the next week, a massive campaign took place
via wheat pasting (that sticky precursor to e-mail) to announce a rally
for Saturday night, August 6, 1988. A vastly larger number of people
showed up for the rally than the police imagined, and the cops could do
nothing as some seven hundred people assembled in the interior of the
park. Convinced that members of the crowd intended to resist the
curfew, police prepared for retaking the park by setting up their
command center inside the park near the bandshell. But as curfew time
approached, the throng unexpectedly exited the park onto Avenue A,
separating the police who were supposed to hold the crowd in check from
the brain trust that was supposed to command them. This threw the cops
into confusion, and, adding to it all, one of the top commanders,
Inspector Darcy, drove back to the station house at this point to use
the toilet, leaving the inexperienced Captain McNamara to look after
the situation. In the absence of better instructions, cops started
pushing and shoving demonstrators on the avenue, some of whom pushed
and shoved back, and bottles were thrown from the crowd. A confusing
10-85 Tompkins Square Park forthwith"" command was issued to police
cars all over Manhattan and Brooklyn, and hundreds of cops flooded the
area, with no central leader and no orders. Demonstrators surged
through the streets and cops began beating up demonstrators, people who
looked like demonstrators, and people who were accidentally in the
vicinity of demonstrators, including residents trying to flee into
their houses. It was not until early the next morning that Koch
administration officials realized the travesty that was going on,
withdrew the police, and lifted the park curfew, both on Tompkins
Square Park and Washington Square Park.
At this time the City's real estate values were faltering under the
influence of the stock market crash of 1987. Ed Koch was in a tailspin;
even his health was suffering, as he was reported to be having a series
of mini-strokes. Koch was on his way out and it was only poetic justice
that he should be humiliated by a ragtag band of radicals representing
those most directly threatened by his gentrification and quality of
life policies. All at once, a political movement had been forged in the
Lower East Side that included a diverse group of people who had little
else in common but that they felt targeted by the lofty plans of Koch
and the gentrifiers.
The Tompkins Square movement was composed, as described in the Village
Voice shortly after the riot, of "kitchen table cabals" and groups of
people worked on their own projects which all tended to serve the
common objective of getting people to assemble at events, in Tompkins
Square Park and elsewhere, that reached critical mass and showed that
there was opposition to gentrification in the city. The agitation would
culminate in the big events in Tompkins Square Park, the concert every
Memorial Day, Squatter Mayday, and innumerable smaller demonstrations
and rallies. If you want to understand the Tompkins Square political
movement, do not think of the Communist Party or any kind of military
or guerilla movement. The Tompkins Square movement was a kind of
bohemia cum political movement that embraced loud music and
mind-altering substances, and considered these things elements, or
perhaps better stated, sacraments, of political resistance. While we
were not a party in the sense of the Communist Party, one of our
objectives was to organize "parties" in the other, more fun sense of
the word, that would reach a sufficiently critical mass of determined
people to discourage the cops from breaking them up. The marijuana
smoke-ins, held in Washington Square Park at the time that the Tompkins
Square movement was in full swing, were our events as much as any of
the countless political rallies that we sponsored in Tompkins Square
Park. The people who frequented these events were the movement,
period-nobody needed a membership card and nobody needed to do anything
that they didn't want to.
In summary, then, the Tompkins Square Activists were radical, as
opposed to liberal, and were riled by two main issues:
(1) Gentrification, which we fought in part by supporting the right of
squatters to reclaim abandoned buildings as housing and by highlighting
the homeless problem through supporting and comforting our homeless
fellow citizens;
(2) No Police State, a political slogan opposing park curfews, quality
of life crusades, anti-homeless sweeps, and other aspects of the
embryonic Giuliani mentality that was gestating in the years before
Giuliani.
Aside from that, there was little other structured political ideology.
Many of the Tompkins Square Activists wore other political labels like
anarchist or communist, or even liberal in some cases, although their
association with us caused them to be ostracized by the mainstream
liberals. We were vilified by some communist groups, such as the
pro-Soviet Workers World Party, even as others, such as the Maoist
Revolutionary Communist Party or RCP, participated in our events and
were even accepted as hard-core Tompkins Square activists. The term
Tompkins Square Anarchists was also used to describe us, and the name
was never totally inappropriate because we did include a large
contingent of politically aware anarchists, and our No Police State
slogan was a classical anarchist battle cry with which even the most
anti-intellectual drunk punk could identify. The anarchist label was
also justified by the fact that two anarchist organizing centers--the
Anarchist Switchboard on 9th St. between 1st and 2nd, which was also a
kind of flophouse, and later, Sabotage Books, on St. Mark's Place
between 1st Avenue and the park, were the closest things to
"headquarters" that the Tompkins Square Activists had. Activists or
anarchists, however, we could work together, and the tight cohesion and
sense of camaraderie that held together big groups of us in
confrontation with the police was our greatest strength. The movement
relied on spontaneity, with all its assets and liabilities. We used to
tell each other "the cops are our best organizers," because we were at
our best, our noblest when we were defending ourselves against some
kind of police attack. The problem with spontaneity, however, is that
your adversaries are always trying to figure out your patterns and
eventually they will have your number.
Even with all of its faults, however, the Tompkins Square movement was
justified and righteous. The only thing for which I condemn myself and
the people whom I worked and played with, day and night, from 1988
through 1991, is for failing to make the changes that we believed in
happen. It is because we did not form a viable political alternative to
Giuliani-ism and gentrification that these evils have prospered, and
New York's creativity and freedom are threatened with extinction. But
the very fact that anyone resisted at all, just like the fact that some
of us continue to resist, each in our own way, is what redeems this
city and has stopped things from becoming as bad as they could be.